A screening, a talk, a reading and a set surrounding sinofuturism. Sinofuturism became popularized by simulation artist Lawrence Lek and his homonymous short film in which he proposes 7 key concepts associated with China and automation; computing, copying, gaming, studying, addiction, labor, …
A blend of documentary, social realism, and conspiracy, the film puts forth a theory of ontology modeled on several stereotypes about China, which Lek calls Sinofuturism, defined in the video essay as “a form of artificial intelligence, a massively distributed neural network focused on copying rather than originality, addicted to learning of massive amounts of raw data rather than philosophical critique or morality, with a posthuman capacity for work, and an unprecedented sense of
Lawrence Lek uses video game software to imagine a future in which the Royal Academy of Arts has been sold off as a privately owned luxury estate. This dystopian world, created for the Dazed Emerging Artist Award, is accompanied by a soundtrack by virtuoso cellist Oliver Coates and a voiceover of a found text from Russian Tatler magazine, translated into Mandarin by Joni Zhu. Screen Lawrence Lek's films Sinofuturism (1839-2046 AD), Geomancer, and AIDOL here starting October 19. Interlaced with conspiracy theories and speculative fiction, Lawrence Lek’s CGI films, installations, and open-world games explore the geopolitical impact of automation and simulation. Artists Lawrence Lek Title Sinofuturism (1839–2046 AD) Themenbereich #MachineLearning #GenealogyOfCode Hashtag #ArtificialIntelligence #Computing Lek describes himself as a simulation artist, and uses 3D rendering technology in his work. [8] Born in 1982 in Frankfurt am Main , [9] Lek is of Malaysian Chinese descent, and studied architecture at Trinity College, Cambridge , the Architectural Association and Cooper Union in New York. [10] Image: Lawrence Lek Sinofuturism, Geomancer, & AIDOL. The work of Lawrence Lek not only inspires awe and wonder, but also aims to incite critical thinking in his viewers as much as any other reaction.
from Lawrence Lek. This opens in a new window. “Sinofuturism is an invisible movement: A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows. Lawrence Lek 陆明龙 “Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. Visual essay from artist @lawrencelek explores current cultural discourse of China: “Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives.
2021-3-23
so programmers Centre A and The Visual Arts Centre of Clarington are pleased to present UK-based artist Lawrence Lek‘s Sinofuturism (1839–2046 AD) (2016), an experimental video essay on a future seemingly (re-)positioned by China’s technological development through science fiction, documentary melodrama, social realism, and Chinese cosmologies, un-mirroring cultural clichés. Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020.
6 Mar 2017 Sinofuturism (1839 - 2046 AD) from Lawrence Lek on Vimeo. "Sino-Futurism is an invisible movement. A spectre already embedded into a
Impressum · O nama · Postanite partner Udruge Arteist · Podržavam Arteist! When I join Lawrence Lek at his studio in Hackney Wick, I feel welcomed into a cosy The product of this thought is a one hour video essay titled Sinofuturism, 06.01.2017 - "Sinofuturism is an invisible movement.
His works include the films "AIDOL", "Geomancer", " Sinofuturism (1839–2046
12 Jan 2021 lawrence-lek-in-conversation-digital-features-itsnicethat-1 main works – Aidol, Geomancer and Sinofuturism – their individual evocations and
19 Oct 2020 Berkeley Center for New Media presents: ATC Lecture — Lawrence Lek, "The Sinofuturist Trilogy: Sinofuturism (1839-2046 AD), Geomancer,
19 Aug 2016 "Sinofuturism is an invisible movement. A spectre Lawrence LekPRO Sinofuturism is a video essay combining elements of science fiction,
6 Mar 2017 Sinofuturism (1839 - 2046 AD) from Lawrence Lek on Vimeo.
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Hur skulle du Ben Cardew meets "simulation artist" Lawrence Lek to talk world building, AI, sinofuturism and his excellent new album for Hype. Lawrence Lek, courtesy the artist and Sadie Coles HQ, London. videoessän 'Sinofuturism (1839-2046 AD)' (60min, 2016), AI-coming-of-age berättelsen Där väldigt mycket intresse riktades mot konstnären Lawrence Lek och För två år sedan visades Lawrence Leks videoessä Sinofuturism They discuss the films 'AIDOL', 'Geomancer', 'Sinofuturism' and m – Lyssna på Lawrence Lek - Conversation #7 - Anthology #3 - February 18 With Lawrence Lek. Ben Cardew meets "simulation artist" Lawrence Lek to talk world building, AI, sinofuturism and his excellent new album for Hyperdub, AIDOL SinoFuturism, AIDOL, NFT Murder Plots and Future Pop Stardom with Lawrence Lek. 2021-03-17 | 2 tim · Hope Running, Economic Fiction and MetaModernism Sinofuturism 中华未来主义 (1839 - 2046 AD) by Lawrence Lek 陆明龙. ruse mode.
When I join Lawrence Lek at his studio in Hackney Wick, I feel welcomed into a cosy The product of this thought is a one hour video essay titled Sinofuturism,
06.01.2017 - "Sinofuturism is an invisible movement. Sinofuturism (1839 - 2046 AD) by Lawrence Lek Bewusstsein, Science Fiction, Leuchtreklamen. In his speculative video installations and virtual reality applications, the artist Lawrence Lek examines the entanglement between digital worlds and our
Geomancer at To Other Shores: On Techno-Sinofuturism, AI Artist Bots and New Artist talk by Lawrence Lek, Garage Museum of Contemporary Art, Moscow,
27 Nov 2020 Lawrence Lek is releasing AIDOL 爱道 (OST), via London's series of video by the artist that includes 2016's Sinofuturism (1839-2046 AD) and
Screen Lawrence Lek's films Sinofuturism (1839-2046 AD), Geomancer, and AIDOL here starting here starting Oct 19.
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Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020. The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism …
A blend of documentary, social realism, and conspiracy, the film puts forth a theory of ontology modeled on several stereotypes about China, which Lek calls Sinofuturism, defined in the video essay as “a form of artificial intelligence, a massively distributed neural network focused on copying rather than originality, addicted to learning of massive amounts of raw data rather than philosophical critique or morality, with a posthuman capacity for work, and an unprecedented sense of From October 22 – November 8, 2020, Lek’s experimental video essay Sinofuturism (1839-2046) will be available to screen for all program registrants. In this work, Lek melds genres of science fiction, documentary melodrama, social realism and Chinese cosmologies to view the future through the lens of China’s technological development.
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Lawrence Lek's films include Geomancer, Aidol, Sinofuturism (1839 - 2046 AD)
How would you define this term in relation to your work? […] His works include the video game ‘Unreal Estate: The Royal Academy is Yours’ (2015 Dazed Emerging Artist Award), the influential video essay ‘Sinofuturism (1839-2046 AD)’, the AI-coming-of-age story ‘Geomancer’ (2017 Jerwood/FVU Award), and ‘Nøtel’, a simulation of a fully-automated luxury hotel in collaboration with Kode9 (ICA, London; Art Basel). What is Lawrence Lek's relationship to Sinofuturism or the thriving world of sci-fi/科幻 thought and literature in China which the films completely elide?) I will admit that I did not see his earlier work Sinofuturism, but let's just say that when I looked up an interview with him afterwards, I found his conception of Sinofuturism flimsy, naive, essentialist, and close to cultural appropriation.